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La Victoire De Samothrace Descriptive Essay

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Example Essays: Samothrace

1. Nike Of Samothrace

Nike of Samothrace Nike of Samothrace is one of the most famous of all Greek sculptures. Nike required three years of restoration and even still many cracks, nicks, and cuts remain.Originally part of a sculptural group on the mountainous island of Samothrace, inside the area called Sanctuary of the Great Gods, there was a fountain and a reflecting pool, where Nike was to sit. Nike of Samothrace is quite literally an intricate carving and dynamic movement, an image of Victory captured for eternity.

2. Nikeof Samothrace

Nike of Samothrace and the Portrayal of Nike in Greek Statuary"Styx, the daughter of Okeanos, lay in love with the giant Pallas (a Titan), and in his mansion gave birth to a Zelus (Emulation) and fair-ankled Nike (Victory) in the house. One of her most famous renderings is called the "Winged VictoryaE or "Nike of SamothraceaE.The Winged Victory was discovered in 1862 in Samothrace, Greece. Samothrace is an island claimed by the Micaneans. The Nike is not portraying physical strength, but the light, airy happiness of victory.The Nike of Samothrace was not the only nikai to.

3. The Nike of Samothrace vs. Unique Forms of Continuity in Spa

The Nike of Samothrace is a very dramatic sculpture. It seems graceful and flowing. The way she stands and the flowing of her drapery, she seems to be floating downward from the sky. Her drapery is flowing, but it clings to show her torso. I think this is showing great movement. The wings are shown.

4. Heaven Awaits

Among artistic representations of Nike are the sculpture by Paeonius (c. 424 BC) and the "Nike of Samothrace.aE Rhodians probably erected the latter, discovered on Samothrace in 1863 and now in the Louvre Museum, Paris, about 203 BC to commemorate a sea battle.

5. Louvre Museum

During my visit to France, I decided to take the time to visit one of the most famous and renowned museums in all of Europe, and, indeed, throughout the world. The Louvre is known and recognized the world over for its wide and ever-growing collection of artful masterpieces gathered from all over the.

6. St. Luke

St. Luke St. Luke Luke"s unique perspective on Jesus can be seen in the six miracles and eighteen parables he wrote about in his Gospel. Not too much is known about Luke"s early life. Historians believe that St. Luke was born a Greek and a Gentile at Antioch in Syria. He was probably born a sla.

7. Battle of Salamis

As they spoke a ship of Samothrace rammed an Athenian, the ship was going down when an Aeginetan vessel attacked the Samothracian and sank her but the Samothracian crew had been armed with javelins, cleared the deck of the attacking ship, they leapt aboard and captured her.

8. St. Luke

St. LukeLuke"s unique perspective on Jesus can be seen in the six miracles and eighteen parables he wrote about in his Gospel. Not too much is known about Luke"s early life. Historians believe that St. Luke was born a Greek and a Gentile at Antioch in Syria. He was probably born a slave, which mea.

9. Pablo picasso

Pablo PicassoI have researched into Pablo Picasso, and have found one of his linoleum cuts. The linoleum cut is called 'Still Life under a Lamp' (1962) it is the most brilliant example of Picasso's one-block linoleum cuts. It represents well, too, highly decorative turn his vision took in his last decade. This print, created when he was eighty years old, combines a youthful energetic sweep of line and colour with an older nostalgia for quaint patterns. It is, altogether, a satisfying blend.

10. Nike

Among artistic representations of Nike are the sculpture by Paeonius (c. 424 BC) and the "Nike of Samothrace.aE Rhodians probably erected the latter, discovered on Samothrace in 1863 and now in the Louvre Museum, Paris, about 203 BC to commemorate a sea battle.

11. Greek Art & Arcitecture

WRITE A SHORT CRITIQUE ON CLASSICAL GREEK ART WITH SPECIAL REFERENCE TO EITHER GREEK POTTERY OR GREEK SCULPTURE. Behind the art of the golden age, lay a long period of experimentation. Art historians trace Greek art far back from the 7th to the 1st century, noting that an early date foreign models, especially Cretan, Asian & Egyptian, exercised a strong influence. They have their roots in Aegean civilization, but their unique qualities have made them among the strongest influences on subsequent Western art and architecture. (Britannica Encyclopedia) Working on a monumental scale, they brought.

12. Art History Exam Study Guide

VOCABULARYArchaeology: the scientific study of ancient people and cultures principally revealed through excavation.Cromlech: a circle of megaliths.Henge: a Neolithic monument, characterized by a circular ground plan. Used for rituals and marking astronomical events.Megalith: a stone of great size used in the construction of a prehistoric structure.Menhir: a large uncut stone erected as a monument in the prehistoric era.Mortise-and-tenon: a groove cut into stone or wood, called a mortise, that is shaped to receive a tenon, or projection, of the same dimensions.Post-and-lintel: a method of const.

Other articles

Samothrace victory

La Victoire de Samothrace the exhibition at the Louvre Museum

From 05 March 2015 to 15 June 2015

After the latest restoration of the Samothrace Victory 'silhouette, the Louvre Museum holds a special exhibition to rediscover this amazing masterpiece from March, 5 to June 15, 2015.

Almost a year of restoration have enabled remarkable discoveries about the design and decor of this masterpiece of the Hellenistic period. The exhibition "Samothrace Victory- rediscover a masterpiece"will go back to the history of the monument since its early discovery in 1863 and reflect the work of the restorers and teams of the museum.

The monument of the Samothrace Victory, consisting of a winged goddess statue - the messenger of Victory - and a prow-shaped base placed on a pedestal bottom, was discovered in 1863 by Charles Champoiseau in the sanctuary of the island of Samothrace north of the Aegean Sea. The monument is then sent to the Louvre to have its first restorations and be exposed differently.

The exhibition Samothrace Victory-rediscover a masterpiece, discusses the history of this monument by going back to its place of origin, the Great Gods sanctuary on the island of Samothrace. The different stages of international excavations that will succeed it from the mid-nineteenth century, and whose exhibition presents the most significant discoveries show the successive assumptions made by scholars of each era to try to solve the mystery the establishment of the monument by its awesome creator.

Since arriving at the Louvre, the monument is constantly evolved to different stages of recovery-particularly those of 1866 and 1883-, allowing better understand to the monument and improving its presentation.

The great restoration of 2013 -2014 has revealed the splendor of the colors of marble and identified new information about the design and decor of the building, richly detailed as part of this exhibition. The public will also discover for the first time fragments of the right arm and the right wing, so far kept in reserve.

Guests staying at Hotel Cambon will be at a walking distance from the Louvre Museum to assist this significant exhbition.

where? Louvre Museum

when? March 5 to June 15, 2015, from 9 am to 17:45 Wednesday and Friday night until 21.45 closed on Tuesday

Rates: € 12 exhibition, free entrance -18 years old

Nikeof Samothrace essays

Nikeof Samothrace

The date of the piece is highly debated because of the wide period that the style took place in. After the conquest of Alexander the Great, the High Classical style was frozen in time for centuries with few stylistic changes. However, most scholars attribute the work to have been commissioned between 300 BC and 31 BC by Demetreius, son of Alexander the Great. The cause for construction was a victory, most likely the great naval battle of Ptolemy off the islands of Cypriot Salamis and led by Demetreius. Demetreius was accepted as a self proclaimed god but he still needed to pay homage to the deities for his success. "These claims naturally involved the kings, in expense, for piety towards their own divine parentage had to be publicly manifested; and the most obvious means of making a show of piety was to create commissions that looked even better when made in the context of old sanctuaries.aE (Spivey 208) The Winged Victory was placed in the Temple of the Great Gods long after it was built among older statuary.

The axes of the piece are asymmetrical because the rig

WINGED VICTORY OF SAMOTHRACE

WINGED VICTORY OF SAMOTHRACE, AN ICON REVEALED (THE)

This film provides the opportunity to follow an outstanding project – the restoration of one of the Louvre Museum’s greatest icons.

Victory of Samothrace. The masterpiece of Greek sculpture attracts millions of visitors every year, yet is little known to the general public. Archaeologists and art historians have been carrying out research on it for many years in order to clear up some of its remaining mysteries.

Based on the major stages of its restoration, this film recounts the history of a two-thousand-year-old sculpture that today has lost its head and arms, and that travelled to Paris from a small Greek island nearly 150 years ago, in “kit form”. The monument - one of the most spectacular and accomplished expressions of Greek sculpture of the Hellenistic period - has dominated the Louvre Museum’s Daru staircase since 1883.

Awards. 2015: "Grand Prix" - Rencontres du film d'archéologie de Narbonne (Narbonne, France)

Director(s). GARCIAS (JULIETTE)

Producer(s). ARTE FRANCE, GEDEON PROGRAMMES

Production Year. 2015

Language(s). German. English. French

Rights. DVD, NON-THEATRICAL, INTERNET, TV, VOD


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Heavenly natural settings from all around the world, legendary top models, international actresses, the most renowned photographers. discover for the first time the making-of of the most prestigious calend.

PIRELLI CALENDAR SAGA (THE)

Joseph Mallard William Turner is probably the most famous British painter. An artist with incredibly early ability, he was nicknamed "the painter of light" and was also the precursor of impressionism.

J. M. W. TURNER

This documentary follows 200 days in life of the contemporary artist Hiroshi Sugimoto - a leading presence in the world of modern art. He has taken the medium of photography and perceiving it as a form of co.

HIROSHI SUGIMOTO

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Klein yves victoire de samothrace

VICTOIRE DE SAMOTHRACE
SIGNED WITH THE MONOGRAM AND ENGRAVED YK; CRYSTAL. EXECUTED IN 2012, THIS WORK IS NUMBER 42 FROM AN EDITION OF 83. IT IS PRESENTED IN ITS ORIGINAL BOX AND ACCOMPANIED BY A CERTIFICATE SIGNED BY ROTRAUT KLEIN-MOQUAY, ARCHIVES YVES KLEIN AND SILVIO DENZ, CEO OF LALIQUE SA.

monogrammé et gravé YK. signé Lalique France
cristal, édition 42 /83
49,5 x 22 x 24,5 cm; 19 1/2 x 8 11/16 x 9 5/8 in.

Register or Log-in to view condition report

Exécutée en 2012, cette œuvre est le numéro 42 d’une édition de 83 exemplaires. Elle est présentée dans son coffret d’origine et accompagnée d’un certificat signé conjointement par Rotraut Klein-Moquay, Archives Yves Klein et Silvio Denz, Président Directeur Général de Lalique SA.

Collection particulière, Belgique

Suggested Lots Yves Klein

VICTOIRE DE SAMOTHRACE
SIGNED WITH THE MONOGRAM AND ENGRAVED YK; CRYSTAL. EXECUTED IN 2012, THIS WORK IS NUMBER 42 FROM AN EDITION OF 83. IT IS PRESENTED IN ITS ORIGINAL BOX AND ACCOMPANIED BY A CERTIFICATE SIGNED BY ROTRAUT KLEIN-MOQUAY, ARCHIVES YVES KLEIN AND SILVIO DENZ, CEO OF LALIQUE SA.

VICTOIRE DE SAMOTHRACE
SIGNED WITH THE MONOGRAM AND ENGRAVED YK; CRYSTAL. EXECUTED IN 2012, THIS WORK IS NUMBER 42 FROM AN EDITION OF 83. IT IS PRESENTED IN ITS ORIGINAL BOX AND ACCOMPANIED BY A CERTIFICATE SIGNED BY ROTRAUT KLEIN-MOQUAY, ARCHIVES YVES KLEIN AND SILVIO DENZ, CEO OF LALIQUE SA.

monogrammé et gravé YK. signé Lalique France
cristal, édition 42 /83
49,5 x 22 x 24,5 cm; 19 1/2 x 8 11/16 x 9 5/8 in.

The colours are fairly accurate in the catalogue illustration, although the image does not accurately convey the texture and three-dimensionality of the work. There are no scratches or marks on the figure. This work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Yves Klein

About Yves Klein

Yves Klein is best known for his trademark ultramarine pigment, which he patented as International Klein Blue in 1961. “Blue…is beyond dimensions, whereas the other colors are not,” he said. “All colors arouse specific ideas, while blue suggests at most the sea and the sky; and they, after all, are in actual, visible nature what is most abstract.” Starting in the mid-1950s, Klein made retinal blue monochromes (which would prove cornerstones of Minimalism ) and the pigment would also feature prominently in his Anthropometry paintings, for which Klein smeared nude women with blue pigment and used them as human brushes on canvas, sometimes in elaborate public performances. Klein's work anticipated Conceptual art. Performance art. and environmental art, as in his selling of portions of empty space to collectors. For The Void (1958), he presented an empty gallery as an artwork, wearing a white tie and tails to show visitors around the blank walls.

Go to Yves Klein’s Artist Page

Nike Monument

Nike Monument

The most famous monument of Samothrace—and one of the earliest discoveries--is the great marble Winged Victory (Nike in Greek) lighting on the prow of a ship that appears to move swiftly forward. She touches down lightly on her slightly bent right leg while her left leg trails behind. Her torso twists, leaning to her right as her shoulders incline slightly towards her left. Her wings are blown back behind her, the right, as we now know, rising higher and more windswept than the left. Her dress billows over her thigh, chest, and stomach, clinging to her body while it gathers between her striding legs and around her hips, creating a contrast between smooth skin and textured cloth. The ship’s prow, set at angle to the rectangular precinct, emerged from the monument as though it were actually sailing through water, with the statue turned slightly inward toward the Sanctuary. The statue exemplifies the movement, gesture, and rich texturing of the finest Hellenistic sculpture. The Nike is carved from creamy colored Parian marble, while the ship is made of dark blue Rhodian marble from Lartos.

Originally, the Nike stood in an architectural niche above the theater and to the south of the stoa. Rising a towering 5.57 m. into the air, the great ensemble of ship and Victory were visible from many vantages within the Sanctuary. However, it is possible that the precinct walls, which are constructed of ashlar masonry, originally supported a roofed enclosure for the statue, which would have protected the statue but considerably reduced her visibility. The boulder retaining wall now visible at the site was later placed around the precinct to protect the monument. At one time it was thought that the monument formed a fountain, but that reconstruction now seems unlikely.

The Nike must commemorate a great victory; the prominence of the ship suggests that the victory was connected with a naval engagement or with the achievement of naval supremacy. However, just when the Nike was commissioned and what she commemorates remains deeply contested. For many years, the style, material, and subject suggested to scholars that the Nike was dedicated by the Rhodians, whose navy was particularly accomplished and powerful at the end of the 3 rd and beginning of the 2 nd centuries B.C. The dark stone of the base has been associated with the quarries at Lartos on the island of Rhodes, and the ship has been identified as a trihemiolia. While the trihemiolia was common in many Hellenistic navies, it was especially prized by the Rhodians. Recently, however, the Rhodian naval connection has come under sharp scrutiny, and a range of dates, both earlier and later, have been proposed.

The Nike was found in April of 1863 by a French expedition led by the amateur archaeologist Charles Champoiseau, vice-consul to Adrianople (modern Edirne). Most of the remains were sent to Paris, where the reconstructed statue was installed in the Louvre in 1884 on the landing of the great Daru Stairway. She continues to command this dramatic position today. In 1950, part of her right hand was discovered and joined with a thumb and ring finger that had been discovered by Austrian archaeoloists. Today, a plaster cast of the statue, along with a very few recently discovered fragments, are in the Samothrace Archaeological Museum.

Hamiaux, M. 1998. “La Victoire de Samothrace. Mode d'assemblage de la statue,” CRAI pp. 365-376.

Hamiaux, M. 2001. “La Victoire de Samothrace. Découverte et restauration,” JSav pp. 152-223.

Hamiaux, M. 2006. “La victoire de Samothrace. Construction de la base e reconstitution,” MonPiot 85, pp. 5-60.

Hamiaux, M. 2007. La Victoire de Samothrace. Paris.

Knell, H. 1995. Die Nike von Samothrake. Typus, Form, Bedeutung und Wirkungsgeschichte eines rhodischen Sieges-Anathems im Kabirenheiligtum von Samothrake. Darmstadt.

Lehmann, K. 1952. “Samothrace: Fifth Preliminary Report,” Hesperia 21, pp. 19-43.

Louvre website. “A Closer Look at the Winged Victory of Samothrace,”

Mark, I. 1998. “The Victory of Samothrace,” in Regional Schools in Hellenistic Sculpture. ed. O. Palagia and W. Coulson, Oxford, pp. 157-165.

Ridgway, B. S. 2000. Hellenistic Sculpture II, Madison, Wisc.

La Victoire de Samothrace glass sculpture inspired by Yves Klein is on sale at Harrods

La Victoire de Samothrace glass sculpture inspired by Yves Klein is on sale at Harrods


What is the difference between an inspired work of art and a rip off? Well, inspiration is always a basis, not a mediocre copy, and also has a dash of the creator’s personality to it. Years after French artist Yves Klein picked up an artifact from the Louvre museum’s shop in 1960 to mould his sculptures spotting marked “IKB” (International Klein Blue) pigment, homage in crystal has now surfaced at Harrods. Crafted into a 19½in blue crystal variant, the La Victoire de Samothrace is a limited edition piece of work now available at Lalique store Harrods. Limited to 83 pieces, each of the pieces is priced at £75,000($121,125).

READ: Artist Robert Bradford creates unique dog sculptures from plastic toys


And rest assured, Daniel Moquay, the president of the Yves Klein Foundation, who is Klein’s widow’s husband too has given his nod of approval.
[Telegraph ]

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