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Book Review Essay Assignment English Composition

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Essay on English Composition

Essay/Term paper: Book review on black boy Essay, term paper, research paper: English Composition

Free essays available online are good but they will not follow the guidelines of your particular writing assignment. If you need a custom term paper on English Composition: Book Review On Black Boy. you can hire a professional writer here to write you a high quality authentic essay. While free essays can be traced by Turnitin (plagiarism detection program), our custom written essays will pass any plagiarism test. Our writing service will save you time and grade.

TITLE: Black Boy

AUTHOR: Richard Wright

INTRODUCTION OF AUTHOR: Richard Wright was born in Natchez, Mississippi.

When he was six years old, his father, Nathan Wright deserted the family for whatever

reason. His mother, Ella, became the breadwinner of the family. Abandoned by her

husband and unable to establish economic independence from her strict mother, Ella

suffered greatly. A strong woman who faces terrible adversity, she trained Richard to be

strong and to take care of himself. Later, the feisty, independent spirit Richard developed

at home leaded him to refuse to accept the codes of behavior the white world has set for

Southern blacks. When Richard finally decided to become writer, that career represented

a declaration of independence from those in the black community.

PLOT SUMMARY: The opening chapter recounts Wright's early childhood in Natchez,

Mississippi, and his family's move to Memphis. It describes his early rebellion against

parental authority, his poverty and hunger, and his unsupervised life on the streets while

his mother is at work. Then the Wrights move to the home of Richard's Aunt Maggie. But

their pleasant life there ends when whites kill Maggie's husband. Later the threat of

violence by whites forces Maggie to flee again. Richard's mother has a stroke. Richard is

sent to his Uncle Clark's, but he is unhappy there and insists on returning to his mother's.

Richard confronts his Aunt Addie, who teaches at the Seventh-Day Adventist church

school. He also resists his grandmother's attempts to convert him to religious faith. And he

writes his first story. Richard gets a job selling newspapers but quits when he finds that

the newspapers espouse racist views. Later, his grandfather dies. Richard gets a job

working for white people. Then he is baptized in his mother's church. Finally, he has

another near-violent confrontation with a relative. Richard publishes his first story. The

reaction from his family is overwhelmingly negative. Richard becomes class valedictorian.

But he refuses to give the speech written for him by the principal. Richard has several

terrifying confrontations with whites. In the most important of these confrontations, he is

forced out of a job because he dares to ask to learn the skills of the trade. Richard learns

to steal. By stealing he acquires enough money to leave the Deep South. Richard finds a

place to stay in Memphis. The owner of his rooming house encourages him to marry her

daughter. Richard takes another job with an optical company. The foreman tries to

provoke a fight between him and a black employee of another company. Richard borrows

a library card and discovers the hard-hitting style of columnist H. L. Mencken. He begins

to read voraciously. Richard leaves for Chicago at the end of the novel.

Wright creates an image of himself as a boy who is sensitive to the external world

and to his own inner reality. He wants to bring to the white American audience what it

means to be black in the white world. It discusses the main theme which have been

occurres in many slave narratives: isolation from the mainstream society, the family"s

struggle to remain united, dreams and longing for a better future, violence both against

and by blacks, the quest for literacy and freedom. Black Boy portrays the deprivation

Wright faces growing up. It shows poverty, hunger, lack of emotional support, miserable

living conditions, and Richard's response to these difficulties. The book also considers

family life. For Richard, home is a place of intense emotional conflict, and his family forces

him to fight back constantly in order to be able to pursue his own path. But the family also

offers support in times of crisis, for example, when his mother has a stroke.

Many readers think the central focus of Wright's story is on his development into

an artist and intellectual. From this perspective, the book is about the influences that shape

Wright's desire to be a writer, the experiences that mold his creative outlook, and the

obstacles he must overcome to escape the limited environment in which he is growing up.

These readers feel that many of Wright's hardships are those of any sensitive and rebellious

individual in a world that doesn't respect those qualities. They see the novel's

conclusion less as a flight from racism and more as a move toward a new career and

identity as a writer. Which of these two major themes do you think is more central? Or are

they given equal weight?

Richard Wright was the grandson of slaves. His early life, and lives of his parents

and liberated grandparents, were devasted by the consequences of this terrible inheritance.

Black Boy was influenceed by these historical perpectives. Black slaves, brought in chains

from Africa, played a major role in laying the economic foudations of the United States.

These enslaved people were not permitted to establish bonds in the strange new land with

people they knew, but were sold and disbanded. In the early 1900s, antiblack violence

increased. Between 1910 and 1920, Southern agricuture was gripped by a severe

economic depression due to crop damage caused by flooding and the boll weevil. In those

years, about 500000 blacks moved to the North, attracked by new industrial jobs. In the

North, blacks continued to face discrimination in hiring practices and segregation in

CONCLUSION: By reading Wright"s record of childhood and youth, my understandings

about the blacks" lives increased. It provived a voice for many people who endured lives

of wretched fear and poverty in United States. Black Boy catched my interests as I read

through it. Wrights creates an image of himself as a boy who is sensitive at othe external

world and to his own inner reality. He wants to bring to the white American audience

what it means to be black in a white world. And he succeeds brilliantly.

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Book Review Assignment

This assignment will give you the opportunity to read in-depth a scholarly book or edited collection concerned with rhetoric, composition and the teaching of writing. A second, and no less important, goal of this assignment is to provide you an opportunity to engage in an academic genre (a book review) that is common to most every discipline. Thus, this assignment is meant to contribute both to your theorizing your teaching practice and to your professional development.

Select a Book to Review: You will select a recently published book (e.g. in print between 2000-2003) in rhetoric, composition and the teaching of writing to write a review. A list of 56 such books is included with this assignment. This selected list represents most all of the current competing and contradictory theoretical positions on the teaching of writing (many of those that we are studying). We recommend you identify a book that intersects on some level with your scholarly and/or professional interests.

The value of the attached list is that you can find a brief description of each book on the web at CCCC Online Book Forum: http://oddjob.oit.unc.edu/book_reviews/index.cfm. This site is maintained by the Conference on College Composition and Communication (CCCC), the college leg of the national organization of National Council of Teachers of English (NCTE). The descriptions are typically written by publishers or the authors themselves and are designed to generate interest, and, hence, revenues for the book. Take the descriptions, then, with a grain of salt.

You are welcome to propose a book not on this list so long as 1) it fits the criteria--a book devoted to rhetoric, composition and the teaching of writing that has been published within the last three years and 2) you get it approved by Michael and Maureen.

Function of and Audience for Book Review: Book reviews are meant to provide potential readers with information concerning the contribution a book makes in terms of new knowledge or perspectives to its intended field and in terms of the quality of the writing (whether it is readable, well organized, reasonable in its claims, etc.). In short, reviews are generally meant to help readers decide whether a book is worth their time and money. Of course, writers use he space of a book review to do other kinds of work. Some reviews are are meant to predispose potential readers. Some ar acts of outright monkey-wrenching that are hardly concerned with fairness and accuracy. Others use the review to raise big questions within and between fields. Still other reviews, as we have suggested above, are meant to sell a book and its philosophical, theoretical and/or pedagogical position.

For this assignment, you are reviewing a book for teachers of writing. Consider the kinds of information they may want or need to keep current in their teaching. A likely outlet for your review would be any one of the many journals devoted to rhetoric and composition.

In reading and then drafting your review, the following questions should serve as heuristics:
  • What is the books content? (i.e. summarize and assess the major ideas in the book) How is it organized? How well does the organization work?
  • What does the author promise the book will deliver? How well does the author succeed in delivering on that promise?
  • How readable is the book? If it is a difficult read, is it worth potential readers� time and energy to struggle through the text? Is the writing uneven at points?
  • Has the book anything new to say or is it plowing familiar ground?
  • What are the limitations of the book? (All books have these; good authors note them.) What problems, if any, plague the book?
  • What is my intention in writing the review? Is the review meant as a service within a field or across fields? Am I consciously going to foreground a more specific agenda?
  • Am I writing the review for those within composition studies, or those, perhaps like myself, who work primarily in another discipline?
  • How might I make the inter-disciplinarity or the text the focus of my review?
As Christina Murphy points out, �To review is to assess; that is the essence of the reviewer�s duties. The sad truth is that some books, even those published by prestigious presses, are poorly conceived and written; publication is not guarantee of quality. Consequently, distinguishing books of quality is one of the most important responsibilities of a book reviewer� (�Breaking the Print Barrier: Entering the Professional Conversation� Publishing in Rhetoric and Composition. Ed. Gary Olson and Todd Taylor. Albany: SUNY, 1997, 12). In other words, readers trust reviewers to provide a fair assessment of a work--to alert them to those books worth their time and to those that are not.

Manuscript Specifications. Reviews typically run 4-8 typed pages, double-spaced, 12-point font with 1� margins all around. Your review should do likewise. The convention for many reviews is to first list the title of the book in bold, following by publishing information, followed by the review and to place your name and institution at the end.

See Catherine G. Latterell�s review of A Guide to Composition Pedagogies that appears in the February 2003 issue of CCC as an example. (Note: reviews are typically solicited by editors who often provide more or less precise manuscript guidelines. Our advice here is meant as typical practice not the practice.)

Due Dates: Rough Draft Due: October 23 (for in-class workshop)
Final Draft* Due: October 30
(*please provide 2 hardcopies and a digital copy via email to Maureen)

Publication: We will publish your review on our class website, and will alert writing teachers in the department about this resource. You will also have access to all the other reviews written. Click here to go to Rhetoric and Composition Book Reviews Corner.


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SELECTED BOOKS PUBLISHED ON
RHETORIC, COMPOSITION AND THE TEACHING OF WRITING 2000-2003

For brief descriptions of each book (written by publishers and/or authors), go to CCCC Online Book Forum site at http://oddjob.oit.unc.edu/book_reviews/index.cfm

Alcorn, Marshall W. Jr. Changing the Subject in English Class: Discourse and Constructions of Desire. Carbondale: Southern Illinois UP, 2002.

Bawarshi, Anis. Genre and the Invention of the Writer: Reconsidering the Place of Invention in Composition. Logan, UT: Utah State UP, 2003.

Belanoff, Pat, Marcia Dickson, Sheryl I. Fontaine, and Charles Moran, eds. Writing with Elbow. Logan, UT: Utah State UP, 2002.

Bishop, Wendy, and David Starkey, eds. In Praise of Pedagogy: Poetry, Flash Fiction, and Essays on Composing. Portsmouth, NH: Boynton/Cook, 2000.

Bishop, Wendy, and Pavel Zemliansky, eds. The Subject is Research: Processes and Practices. Portsmouth, NH: Boynton/Cook, 2001.

Bishop, Wendy, ed. The Subject is Writing: Essays by Teachers and Students. 3rd ed. Portsmouth, NH: Boynton/Cook, 2003.

Bishop, Wendy. The Subject is Reading: Essays by Teachers and Students. Portsmouth, NH: Boynton/Cook, 2000.

Broad, Bob. What We Really Value: Beyond Rubrics in Teaching and Assessing Writing. Logan, UT: Utah State UP, 2003.

Brock, Dethier. From Dylan to Donne: Bridging English and Music. Portsmouth, NH: Boynton/Cook, 2003.

Carroll, Lee Ann. Rehearsing New Roles: How College Students Develop as Writers. Carbondale: Southern Illinois UP, 2002.

Cheville, Julie. Minding the Body: What Student Athletes Know About Learning. Portsmouth, NH: Boynton/Cook, 2001.

Danielewicz, Jane. Teaching Selves: Identity, Pedagogy, and Teacher Education. Albany: State U of New York P, 2001.

Deans, Thomas. Writing Partnerships: Service-Learning in Composition. Urbana, IL: National Council of Teachers of English, 2000.

DeWitt, Scott Lloyd. Writing Inventions: Identities, Technologies, Pedagogies. Albany: State U of New York P, 2001.

Dobrin, Sidney I. and Christian R. Weisser. Natural Discourse: Toward Ecocomposition. Albany, NY: State U of New York P, 2002.

Downing, David B. Claude Mark Hurlbert, and Paula A. Mathieu, eds. Beyond English, Inc. Curricular Reform in a Global Economy.
Portsmouth, NH: Boynton/Cook, 2002.

Dunn, Patricia A. Talking, Sketching, Moving: Multiple Literacies in the Teaching of Writing. Portsmouth, NH: Boynton/Cook, 2001.

Elbow, Peter. Everyone Can Write: Essays Toward a Hopeful Theory of Writing and Teaching Writing. New York: Oxford UP, 2000.

Faber, Brent. Community Action and Organizational Change: Image, Narrative, Identity. Carbondale: Southern Illinois UP, 2002.

Farmer, Frank. Saying and Silence: Listening to Composition with Bakhtin. Logan: Utah State UP, 2001.

Finkel, Donald L. Teaching with Your Mouth Shut. Portsmouth, NH: Boynton/Cook, 2000.

Fishman, Stephen M. and Lucille McCarthy. Whose Goals? Whose Aspirations. Learning to Teach Underprepared Writers across the Curriculum. Logan, UT: Utah State UP, 2002.

Fulwiler, Toby, and Sue Dinitz. The Letter Book: Ideas for Teaching College English. Portsmouth, NH: Boynton/Cook, 2000.

Gallagher, Chris W. ed. Radical Departures: Composition and Progressive Pedagogy. Urbana, IL: National Council of Teachers of English, 2002.

Grabill, Jeffrey T. Community Literacy Programs and the Politics of Change. Albany: State U of New York P, 2001.

Greenbaum, Andrea, ed. Insurrections: Approaches to Resistance in Composition Studies. Albany: State U of New York P, 2001.

Greenbaum, Andrea. Emancipatory Movements in Composition: The Rhetoric of Possibility. Albany, NY: State U of New York P, 2002.

Hardin, Joe Marshall. Opening Spaces: Critical Pedagogy and Resistance Theory in Composition. Albany: State U of New York P, 2001.

Hunt, Douglas. Misunderstanding the Assignment: Teenage Students, College Writing, and the Pains of Growth. Portsmouth, NH: Boynton/Cook, 2002.

Huot, Brian. (Re)Articulating Writing Assessment. Logan, UT: Utah State UP, 2002.

Isaacs, Emily J. and Phoebe Jackson, eds. Public Works: Student Writing as Public Text. Portsmouth, NH: Boynton/Cook, 2001.

Johnson, T. R. A Rhetoric of Pleasure: Prose Style and Today�s Composition Classroom. Portsmouth, NH: Boynton/Cook, 2003.

Kameen, Paul. Writing/Teaching: Essays Toward a Rhetoric of Pedagogy. Pittsburgh: Pittsburgh UP, 2000.

Kamler, Barbara. Relocating the Personal: A Critical Writing Pedagogy. Albany: State U of New York P, 2001.

Kirklighter, Christina. Traversing the Democratic Borders of the Essay. Albany: State U of New York P, 2002.

Lee, Amy. Composing Critical Pedagogies: Teaching Writing as Revision. Urbana, IL: National Council of Teachers of English, 2000.

Martin, Rachel. Listening Up: Reinventing Ourselves as Teachers and Students. Portsmouth, NH: Boynton/Cook, 2001.

McComiskey, Bruce. Teaching Composition as a Social Process. Logan: Utah State UP, 2000.

McDonald, Christina Russell, and Robert L. McDonald, eds. Teaching Writing: Landmarks and Horizons. Carbondale: Southern Illinois UP, 2002.

Minter, Deborah, and Amy M. Goodburn, eds. Composition, Pedagogy & the Scholarship of Teaching. Portsmouth, NH: Boynton, Cook, 2002.

Mitchell, Sally, and Richard Andrews, eds. Learning to Argue in Higher Education. Portsmouth, NH: Boynton/Cook, 2000.

Moore, Cindy, and Peggy O�Neill, eds. Practice in Context: Situating the Work of Writing Teachers. Urbana, IL: National Council of Teachers of English, 2002.

Olson, Gary A. Justifying Belief: Stanley Fish and the Work of Rhetoric. Albany: State U of New York P, 2002.

Owens, Derek. Composition and Sustainability: Teaching for a Threatened Generation. Urbana, IL: National Council of Teachers of English, 2001.

Paley, Karen Surman. I-Writing: The Politics and Practice of Teaching First-Person. Carbondale: Southern Illinois UP, 2001.

Sirc, Geoffrey Michael. English Composition as a Happening. Logan: Utah State UP, 2002.

Skorczewski, Dawn, and Matthew Parfitt, eds. Conflicts and Crises in the Composition Classroom�and What Instructors Can Do About Them. Portsmouth, NH: Boynton/Cook, 2003.

Starkey, David, ed. Genre by Example: Writing What We Teach. Portsmouth, NH: Boynton/Cook, 2001.

Tassoni, John Paul, and William H. Thelin, eds. Blundering for a Change: Errors & Expectations in Critical Pedagogy. Portsmouth, NH: Boynton/Cook, 2000.

Vila, Hector Julio. Life-Affirming Acts: Education as Transformation in the Writing Classroom. Portsmouth, NH: Boynton/Cook, 2000.

Wallace, David L. and Helen Rothschild Ewald. Mutuality in the Rhetoric and Composition Classroom. Carbondale: Southern Illinois UP, 2000.

Weisser, Christian R. Moving Beyond Academic Discourse: Composition Studies and the Public Sphere. Carbondale: Southern Illinois UP, 2002.

Weisser, Christian R. and Sidney I. Dobrin, eds. Ecocomposition: Theoretical and Pedagogical Approaches. Albany: State U of New York P, 2001.

West, Thomas R. Signs of Struggle: The Rhetorical Politics of Cultural Difference. Albany: State U of New York P, 2002.

Williams Bronwyn T. Tuned In: Television and the Teaching of Writing. Portsmouth, NH: Boynton/Cook, 2002.

Wolff, Janice M. ed. Professing in the Contact Zone: Bringing Theory and Practice Together. Urbana, IL: National Council of Teachers of English, 2002.


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The Purdue OWL: Common Writing Assignments

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue (https://owl.english.purdue.edu/). When printing this page, you must include the entire legal notice at bottom.

Common Writing Assignments

These OWL resources will help you understand and complete specific types of writing assignments, such as annotated bibliographies, book reports, and research papers. This section also includes resources on writing academic proposals for conference presentations, journal articles, and books.

This resource describes some steps you can take to better understand the requirements of your writing assignments. This resource works for either in-class, teacher-led discussion or for personal use.

This resource outlines the generally accepted structure for introductions, body paragraphs, and conclusions in an academic argument paper. Keep in mind that this resource contains guidelines and not strict rules about organization. Your structure needs to be flexible enough to meet the requirements of your purpose and audience.

This handout provides detailed information about how to write research papers including discussing research papers as a genre, choosing topics, and finding sources.

This resource will help you with exploratory/inquiry essay assignments.

This handout provides information about annotated bibliographies in MLA, APA, and CMS.

This resource discusses book reports and how to write them.

This handout provides suggestions and examples for writing definitions.

While most OWL resources recommend a longer writing process (start early, revise often, conduct thorough research, etc.), sometimes you just have to write quickly in test situations. However, these exam essays can be no less important pieces of writing than research papers because they can influence final grades for courses, and/or they can mean the difference between getting into an academic program (GED, SAT, GRE). To that end, this resource will help you prepare and write essays for exams.

This resource discusses book reviews and how to write them.

This resource will help undergraduate, graduate, and professional scholars write proposals for academic conferences, articles, and books.

Copyright ©1995-2016 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use .

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Author: cobra666 Date: 25.03.2015

Assignment In Microsoft Excel

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Assignment in microsoft excel

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